Classic 9" J shaped arm with knife-edge bearings. The company bucked their upmarket move with the M2 tonearm which sits at the bottom of their current range. Recent products include the SME V tonearm, and extremely expensive (and consequently relatively rare) decks. In recent decades, as with many of their competitors, the company's products have tended to move further and further upmarket. The removable headshell was eliminated, and the horizontal knife bearing was replaced with ball bearings, both in order to provide a more rigid structure for the cartridge.
PARTS SME TONEARM SERIES
The Series V arm was developed as a medium mass arm more suited to emerging moving-coil cartridges with lower compliance than previously available moving magnet cartridges. The Series III had very low effective mass to fit high compliance cartridges such as the Shure V15 IV.Īlthough technically advanced, the Series III never achieved the market dominance of the Series II. The Series III was introduced in the late 1970s incorporating changes from the Series II models (which continued in production) covering both styling and its exceptionally thin and lightweight main tube, the entire arm being interchangeable rather than just the headshell. Some cartridges were produced that mounted directly into the SME headshell mount of the arm (rather than into a headshell), notably from Ortofon. Audiophile arms today tend to not use the SME mount, but this is not due to other standards replacing the SME but because audiophile arms now tend to not have interchangeable headshells at all in an effort to reduce mass and improve rigidity, though at slight expense of user flexibility. Versions were produced with both fixed and interchangeable headshells the SME headshell mount (based on an Ortofon design) became the de facto industry standard, and is still widely used today on consumer and especially DJ decks. These arms featured a polished, bright-anodised aluminium main tube with a lightweight headshell, knife edge horizontal bearings, and an anti skating bias provided by a weight that hung by a nylon filament. The company is notable for its 30 (9" and 12" respectively) tone arms which were widely adopted for audiophile and broadcast use during the 1960s and 1970s, at the higher end of the market. Intending to develop the Garrard audio brand in the near future. In May 2018 the company acquired the rights to the Garrard Transcription Turntable brand as well as Loricraft Audio, the only officially authorised Garrard service agent. In December 2016 the company was acquired by Ajay Shirke with a view to preserve the brand's legacy and extend research and development activities, appointing a new CEO and a distributor for the UK market, Padood.
At this time a new factory situated in Mill Road, Steyning was opened and the Company's name was changed to SME Limited, a less committal title to suit its new activities. Production was 25 units per week composed entirely of individually machined components.
It received such an enthusiastic reception from friends in the sound industry that it was decided to produce it commercially and the first SME precision pick-up arm appeared in September 1959. In 1959 Alastair Robertson-Aikman, the Company's founder, required a pick-up arm for his own use and an experimental model was built. During the 1950s the company moved away from model making to precision engineering, principally parts for aircraft instruments and business machines. SME was formed in 1946 under the title The Scale Model Equipment Company Limited to manufacture scale models and detail parts for the model engineering trade.
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